24 May - 26 May 2017
Lecture & masterclass with Daniel Rourke

In 2015 Morehshin Allahyari & Daniel Rourke released The 3D Additivist Manifesto, a call to push the 3D printer to its absolute limits and beyond into the realm of the speculative, the provocative and the weird. Projects responding to that call were later published in The 3D Additivist Cookbook.

In the framework of the Shiv Integer exhibition, iMAL invites Daniel for a lecture on the Manifesto+Cookbook, and for a two-days additivist masterclass.

LECTURE: Daniel Rourke - The 3D Additivist Manifesto+Cookbook

24 May 2017, 19:00 (free! registration is mandatory on BOZAR website)
BOZAR (Terarken) Rue Ravensteinstraat 23, 1000 Brussels

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MASTERCLASS with Daniel Rourke

25 & 26 May 2017 (40€, registration is mandatory on iMAL website)
iMAL, Quai des Charbonnages Koolmijnenkaai 30, 1080 Brussels

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About #Additivism

The 3D printer is a profound metaphor for our times. A technology for channeling creative endeavour, through digital processes, into the layering of raw matter excavated from ancient geological eras. Considered as a tool for art, design and engineering, and gesturing towards a forthcoming era of synthetic chemistry and biological augmentation, 3D fabrication technologies are already a site of common exchange between disciplines and material modalities. 3D fabrication can be thought of as the critical framework of #Additivism: a movement that aims to disrupt material, social, computational, and metaphysical realities through provocation, collaboration, and ‘weird’ / science fictional thinking.

#Additivism is a portmanteau of additive and activism, gesturing to the scale at which new forms of action and intervention take place. Morehshin Allahyari & Daniel Rourke's Manifesto and Cookbook question whether it’s possible to change the world without also changing ourselves, and what the implications are of taking a position. They are concerned with critiquing the role ‘radical’ new technologies might have in these changes, from fablabs, workshops, and classrooms, through to social, ecological, and global scales.

Allahyari & Rourke embrace the 3D Printer in the same way that Donna Haraway embraced the figure of the Cyborg in her influential text A Cyborg Manifesto (1983). By considering the 3D printer as a technology for remodeling thought into profound, and often nightmarish, new shapes #Additivism aims to expose in-betweens, empower the powerless, and question the presupposed.

More on additivism.org

About Daniel Rourke

In his work Daniel exploits speculative and science fiction in search of a radical ‘outside’ to the human(ities), including extensive research on the intersection between digital materiality, the arts, and posthumanism. In his artistic practice Daniel devises and creates collaborative platforms that promote open and critical discourse on the topics of media theory and posthumanism.

More on machinemachine.net

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