iMAL

30 Quai des Charbonnages
Koolmijnenkaai, 1080 Brussels
Art Center for Digital Cultures & Technology

Ai Carmela Netîrk, Imane B. K. & Natacha Roussel — INTERSECTIONING-TECH

Ai Carmela Netîrk, Imane B. K. & Natacha Roussel
INTERSECTIONING-TECH

Intersectioning-Tech brings together voices that reimagine tech from between the 'margins' while navigating digital dependencies and envisioning communities and networks rooted in collective care opposing extraction, exploration and ecocide. This panel invites actors with practices grounded in the theory of intersectionality to elaborate on pathways toward networks that sustain rather than exploit.

Whole Earth Fractures is a discursive trajectory that invites participants to discussions about global intersections of technology, ecology, and community through the lenses of decolonial ecology and cross-cultural, inter-imperial analysis. The project engages with pluriversal perspectives on ecological resilience and resistance, with and against technology.

With Ai Carmela Netîrk, Imane B. K. & Natacha Roussel. Moderated by Ava Zevop.

Ai Carmela Netîrk

Ai Carmela Netîrk, intersectional feminist, lo-femme, transbian, cyborg, hacker, migrant, housewife, writer, historian, historiographer, videographer, editor, livestreamer, vision mixer, system administrator. Currently part of Systerserver and Feminist Ninja.

Natacha Roussel

As she went away from academic commitments since 2015 Natacha became mostly active in free software communities. She co-founded petites singularités, a Brussels based non profit structure engaged in structuring free software for collective practice. At petit singularités, they concentrate on researching the specificities of free software and particularly its benefits to collective practices, and possible decolonial approaches. They aim to bring a different outlook on transindividual aesthetics with regard to local collectives and their digital practices.

Petites Singularités holds aesthetical projects under various free forms adapted to their expression and their public dissemination. Literary, poetic, artistic, software, philosophical, lively research-action. Petites Singularités edits, publishes, produces, hybridizes, supports, invites, travels. They think collective organization and action in the production of meaning in the local hybridization of humans and technology; and they transmit concrete and significant solutions to local groups.

Furthermore Natacha is engaged in several feminists projects dealing with software infrastructure that publicly translate into 3TS (Third TechnoScape) card deck and workshops and Jeu Videa a feminist proposition for videa games developed collectively using Godot Engine.

Imane B. K.

Imane B. K. collaborates with her colleagues and students, to create coaching sessions, workshops, and re-learning opportunities at the digital masters in fine arts of Sint Lucas Antwerp. Alongside Tunde Adefioye, she has researched threads Towards Braver Spaces and questions the fostering of collective and sustainable spaces that center care and well-being in multiple communities. Imane likes to think about different subjects that stand at the intersections of technology, art, and the socio-political sensitivities that arise with Constant in Brussels.

Ava Zevop

Ava Zevop (she/her) is a Ljubljana-born, Brussels-based artist and researcher looking into technological degrowth from the position of intersectional struggle and global justice. She has exhibited at iMAL Brussels (2025), osmo/za (2022, 2023), Design Museum Gent (2022), City Gallery Ljubljana (2021), and VANDENHOVE Center(2019), etc , and she contributed to academic conferences such as Digitized Migrants Conference (Istanbul, 2022) and STS Italia (Bolonia, 2023), ISA Rijeka: Knowing the global-local (2024) and Our many Easts (Ljubljana, 2024). She has also co-authored an academic article, Computing the face: from coloniality to control (2025), and made written contributions to FocaalBlog (2024), and L’Internationale Online (2024).

Credits

Illustration: Annga Cipta

Food for thoughts — The Cookery 2025